In Convenience Store Woman, Keiko Furukura doesn’t fit in–and doesn’t want to fit in–anywhere other than her beloved convenience store, where she works part-time. Keiko is in her 30s, past when she should have been married or found a “real” job according to family and friends, and their attempts to “cure” her gradually alienate Keiko. Convenience Store Woman is a thoughtful, tender, and funny novel that raises the serious point that society is more satisfied with people who are “normal” and unhappy than with people who are “abnormal” and happy. It’s a great read for anyone, but I especially recommend it for people interested in everyday Japanese culture, books in translation, and books with autistic characters. (Keiko’s autism is never explicitly stated, but clearly implied, and sensitively portrayed.)
You can read my full review below.
Convenience Store Woman by Sayaka Murata (translated by Ginny Tapley Takemori)
- publisher: Grove Press (an imprint of Grove Atlantic)
- publication date: June 12, 2018 (originally published in Japan in 2016)
- length: 176 pages
- cover price: $20.00
A convenience store is a world of sound. From the tinkle of the door chime to the voices of TV celebrities advertising new products over the in-store cable network, to the calls of the store workers, the beeps of the bar code scanner, the rustle of customers picking up items and placing them in baskets, and the clacking of heels walking around the store. It all blends into the convenience store sound that ceaselessly caresses my eardrums.
—Convenience Store Woman, page 1
I felt seen by this book, seen on a level so profound that I’m pretty sure that author Sayaka Murata peered into my soul as she was writing. On the surface, my experience has little in common with protagonist Keiko Furukura in Convenience Store Woman. I’m in my early 20s, she in her late 30s. I work a “respectable” job as a writer, she’s a part-time convenience store clerk. I’m American, she’s Japanese.
But this is the magic of Convenience Store Woman: it is so loving and empathetic, so skillful and funny and emotional and haunting, that I think it’s impossible not to resonate with it.
Keiko is clearly written as autistic, something that’s never stated but easily perceptible through the first-person narration. It’s that first-person narrative that makes all the difference, since autistic and allistic people alike can relate to the pressure Keiko is under to fit in. She’s in her 30s and single–not only single, but working a dead-end job, which seems to be even more of a taboo in Japanese culture than it is here in the U.S. To her friends and family, it doesn’t matter that Keiko is happy: she’s somehow broken, and they make it their mission to fix her.
Whether you’re autistic or not, everyone has been in that position at some point, and that’s what Convenience Store Woman‘s charm hinges on. It asks us why we’re so committed to fitting in, while also acknowledging that we have to fit in to function in society. That contradiction keeps the novel interesting, and far away from “everyone’s special” after-school special territory.
Autistic people are so often used and abused by fiction writers to further plots, be an excuse for an allistic main character to show off their empathy, or to fulfill harmful stereotypes, such as that autistic people lack empathy or are overgrown children. I cannot emphasize enough how much I loved Murata’s approach in Convenience Store Woman. When you read, you don’t feel separate from Keiko. You’re not ogling her or judging her. You’re just experiencing the world through Keiko’s eyes, and if Keiko sees things a little differently than you might in her shoes, so be it.
Murata has a particular gift for descriptions. She engaged all my senses so vividly that I felt like I were experiencing the novel through virtual reality, a jolt straight to my neurons. That’s an especially wonderful feat considering that I’ve never been to Japan and am not particularly familiar with what a convenience store or small apartment might look like there. It doesn’t matter: the taste of a slightly spoiled mango-chocolate bun, or the look of Keiko’s feverish nephew, or the smell of an unwashed incel-like man–Keiko’s terrible sort-of boyfriend–was conveyed to me perfectly.
“Perceptive” is the word that I think describes Convenience Store Woman best. It indulges in all the specificities of Keiko’s life and suburban Japanese culture while still remaining remarkably relatable and accessible. It has sharp satirical elements, but it has a big, gushy emotional heart. It’s a book full of all those little anxieties and behaviors that you thought only you did, that you now realize others might, too. It’s a book to make you feel less alone. And goodness knows we need more of those.
Convenience Store Woman is sometimes quite dark and sad, other times quite joyful and funny, and always as delicious and comforting as hot soup–or the convenience store’s best-selling mayo-tuna rice balls. Highly, highly recommended. Just don’t read it while you’re hungry. ★★★★★
Related books you might also enjoy:
- Ginny Moon by Benjamin Ludwig
- Goodbye, Vitamin by Rachel Khong
- Little Fires Everywhere by Celeste Ng
My copy of Convenience Store Woman came from my local library and I was in no way compensated for this review.