Book Review: SWEETBITTER by Stephanie Danler

Sweetbitter follows Tess, a 20-something who moves to New York in search of…well, New York itself. She miraculously lands a job at a high-end restaurant and begins a life full of heady food, drink, coke, and 3 a.m. benders with coworkers. She also falls hard for Simone, an aloof waitress full of Old World knowledge and mystery, and Jake, an otherworldly-beautiful bartender with secrets to keep. Sweetbitter feels miraculous, a wonderful novel superimposed onto the blueprints of a worse one. Coming to New York stories are cheap and well-trodden, but Stephanie Danler finds all the rough edges worth exploring. As I wrote last month, the novel’s vivid restaurant setting helps freshen it, but there’s other alchemical magic at work too. Danler finds the sweet spot between young adult and adult literature, turning the big swings and harsh failures of Tess’s 20s into a novel that feels decadent and rich, lofty without being bloodless. I loved every minute.

You can read my full review below. Please note that this review is a bit more NSFW than my usual and contains some sexual content and swearing.


Sweetbitter Cover

Sweetbitter by Stephanie Danler

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  • publisher: Knopf Publishing Group
  • publication date: May 24, 2016
  • length: 368 pages
  • cover price: $25.00 in hardcover, $16.00 in paperback

Does anyone come to New York clean? I’m afraid not. But crossing the Hudson I thought of crossing Lethe, milky river of forgetting. I forgot that I had a mother who drove away before I could open my eyes, and a father who moved invisibly through the rooms of our house. I forgot the parade of people in my life as thin as mesh screens, who couldn’t catch whatever it was I wanted to say to them, and I forgot how I drove down dirt roads between desiccated fields, under an oppressive guard of stars, and felt nothing.

Sweetbitter, page 4

20-something Tess comes to New York from Ohio as a blank slate with a vaguely alluded-to education in English literature. She doesn’t come to New York striving to be an actress, singer, writer, or artist; she just arrives for the sake of arriving, hungry for city living. She decides that working as a waitress is her best chance at making life in the city work, so she gets a job at a high-end restaurant in Manhattan and begins an education in good food and something called the 51%–the “something special” about back- and front-of-house staff. From there, she falls headlong into a love affair with food and two of her most mysterious coworkers. Hijinks (and a beautiful coming-of-age story) ensue.

For all the effort we put into getting kids and teens to read, I think that we put very little cultural effort into keeping adults readers during and after college. There’s a massive jump between the work of offbeat YA authors like A. S. King and the cloistered world of adult literary fiction.

That’s what struck me most about Sweetbitter: that it is a young adult novel in the sense that it intimately captures the things I care about as a 23-year-old moving through the world, in a way that very few literary novels (except maybe Nafkote Tamirat’s flawed The Parking Lot Attendant) have captured recently: love, hard work, love, hard pain, love, hard joy, love, with the intensity of it all dialed up to eleven.

Danler’s writing is dramatic, almost to the point of melo-, but not quite. At first when reading Sweetbitter’s mythology-tinged dialogue, I thought, no one talks like that. But because Danler writes a dazzling amount of dialogue for a dizzying array of characters, it works. For every allusion to Greek myth and the terroir of Old World wines, someone’s talking about puking after a night out and the latest girl the office manager is screwing under his desk. It’s hi-lo writing that perfectly captures the hi-lo atmosphere of restaurant work, no matter how “fine” the dining is at a particular establishment.

Sweetbitter hews so close to the border of cliché that it’s a miracle it never crosses into it. For one, a love triangle with an older, mysterious bartender and an icy head waitress is at its center. For the other, it’s a coming-of-age story about coming to New York. But in Danler’s hands those elements have an unexpected emotional immediacy. Tess snorts obligatory coke in a bar bathroom, but she also then buys a leather jacket with a heady (and recognizable to any 20-something) mix of self-consciousness and pride. She has hot sex in the back of a cab but also masturbates, miserably, in her overheated apartment in the middle of a damp December.

Sweetbitter is both archetypal and vulnerable, something in the vein of Catcher in the Rye and The Bell Jar but also something entirely its own. It’s both claustrophobic and expansive, confined to a restaurant that somehow contains a whole world within it. The tenderness with which the staff treat their regular customers is in sharp contrast to the vicious way they treat each other, yet both feel like manifestations of love. They’re a family. A completely fucked-up family, but still.

Sweetbitter is yet another book about a beautiful, thin young white woman, but it’s perhaps the best one of that ouevre I’ve ever read. It’s a book about the aged optimism–not quite pessimism–of your twenties, and how it mellows and deepens. I want to read more stories that live in that niche, ones with different specificities and desires and homes.

If you’re disaffected and bored and in a reading slump, I couldn’t recommend anything else to shake you out of it more highly than Sweetbitter. It’s sad and thrilling and cathartic at once, both a mirror-image of our world and a bright still life full of artistic license. Get some good grapes and cheese and take a hot bath while you read. You’ll lose yourself and your troubles, too. ★★★★★


My copy of Sweetbitter came from my local library and I was in no way compensated for this review.

Friday Bookbag, 7.27.18

FridayBookbag

Friday Bookbag is a weekly feature where I share a list of books I’ve borrowed, bought, or received during the week. It’s my chance to buzz about my excitement for books I might not get the chance to review.

This week in my bookbag, I’ve got a sober meditation on climate change, a literary take on Korea’s Gwangju Uprising from the author of The Vegetarian, a futuristic video game-themed YA adventure, and more. Let’s dive in!


Rising: Dispatches From the New American Shore by Elizabeth A. Rush

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New American Shore Coverthe premise: Author Elizabeth Rush reports on areas on the East Coast, Gulf Coast, and beyond that are threatened by rising seas and climate change. From worsening natural disasters like hurricanes to islands literally drowning beneath incessant waves, Rising is a polyphonic portrait of a world on the brink of change.

why I’m excited: Excited is perhaps the wrong word for this one, as climate change is an issue I’m deeply worried about, and I think this book will cause me no small amount of anxiety. But I’m looking forward to immersing myself in Rush’s reporting and educating myself on what’s happening on the coasts. I currently live in Minnesota, which is about as far from an ocean as you can get in North America. (We have Lake Superior, but that doesn’t count in this case.) I’m not affected by climate change with as much urgency as the communities Rush documents are, and I consider it a duty to inform myself. Every review I’ve read of this book does praise Rush’s skillful, lyrical writing and interviewing, so I hope it won’t be an entirely self-flagellatory exercise.

Human Acts by Han Kang

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Human Acts Coverthe premise: Set against the backdrop of the bloody 1979 Gwangju uprising in South Korea, Human Acts is a series of interconnected stories about people desperately trying to make a difference–and survive. It spans three decades of lead-up and follow-up to Chun Doo-hwan’s declaration of martial law that led to the deaths of anywhere from 160 people to around 2000. (For more information on the premise of the novel, the history of the Gwangju uprising, and Han Kang’s personal connection to both, I recommend reading Min Jin Lee’s excellent article, “Korean Souls,” in the New York Review of Books.)

why I’m excited: I remain obsessed with Han Kang’s novel The Vegetarian, which I reviewed a few months ago as “extraordinary and…nauseating, like a spinning theme park ride with its speed cranked up one level past safety.” Where The Vegetarian was almost claustrophobically personal, Human Acts appears to break wide open, encompassing more stories and larger events. Also, I know embarrassingly little about the history of Korea (especially South Korea), and I’ve recently found fiction to be a good way in. From Mary Lynn Bracht’s White Chrysanthemum (about Japanese occupation and comfort women) to The Hole by Hye-young Pyun, which I wrote about in a previous Friday Bookbag, I’ve been striving to read more works by Korean and Korean diasporic authors, and I look forward to adding Human Acts to that list.

Driven: A White-Knuckled Ride to Heartbreak and Back by Melissa Stephenson

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Driven Coverthe premise: For Melissa Stephenson, cars are (and were) an escape, from her blue collar childhood in Indiana, to her brother’s suicide, to camping trips with her kids in a VW bus. Driven is a memoir of her relationship with her brother and her healing after his death, structured around the cars she’s loved over the years.

why I’m excited: I can’t say that the “cars” part of the premise sets me on fire. My partner’s a mega-gearhead, but I’m not. This memoir seems to be about more than cars, though. It seems like it’s also about family, and healing, and independence, and how sometimes running away from something can also mean running towards our better selves. It’s being billed as similar to Cheryl Strayed’s Wild, a book I adored. I certainly hope it scratches the memoir itch I’ve had recently.

Warcross by Marie Lu

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Warcross Coverthe premise: Warcross is an immersive international video game sensation: think Fortnite meets Overwatch meets World of WarcraftEmika Chen is a hacker and bounty hunter who scrapes out a living hunting down people who bet on Warcross illegally, but she risks it all when she decides to make quick cash by hacking into the Warcross championships. She’s caught–but instead of getting arrested, she gets an appointment with the elusive founder of Warcross, who offers her a job in Tokyo as a spy…where she uncovers fortunes and dangers greater than she’d ever imagined.

why I’m excited: It’s hard to beat a good YA sci-fi thriller–they’re like a surprise trip to an amusement park in the middle of a dreary reading schedule–er, work week. I’m especially excited about this one because I loved Marie Lu’s Legend series (Goodreads) when I was a teen, and also because Lu worked in video game design before she was an author, so I think Warcross will be full of cool (and maybe even accurate!) details.

The Occasional Virgin by Hanan al-Shaykh

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The Occasional Virgin Coverthe premise: Two women–Yvonne and Huda–were raised in restrictive households in Lebanon: one Christian, one Muslim. When they meet on vacation in Italy, their complicated pasts threaten to interfere with the powerful and successful professional lives they take pride in now.

why I’m excited: I enjoy fiction that delves into religion and its effects on our lives, and I especially enjoy that one protagonist is Christian and one Muslim. Christianity and Islam are so often set up as an either/or that a novel that deals with their similarities is hugely exciting to me. I also love novels that explore how the values we’re raised with can interfere with the values we wish to have now. This novel could turn out to be sloppy or melodramatic in execution a la The Woman Next Door by Yewande Omotoso (which has a semi-similar premise), but I like the idea enough to give it a shot.


What’s in your bookbag this week? Do you have any exciting weekend reading plans? Let me know in the comments, and feel free to link to your own book reviews and blog posts!

Friday Bookbag, 7.20.18

FridayBookbag

Friday Bookbag is a weekly feature where I share a list of books I’ve borrowed, bought, or received during the week. It’s my chance to buzz about my excitement for books I might not get the chance to review.

This week in my bookbag I have a novel with an unusual vision of the end of the human race, a coming-to-New-York story with a delicious twist, and an angsty Soviet American love triangle that promises to set me on fire. Let’s dive in!


Future Home of the Living God by Louise Erdrich

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Future Home of the Living God Coverthe premise: Evolution has started moving backwards, with women across the world giving birth to what appear to be early versions of humans–and Cedar Hawk Songmaker is pregnant. Caught between a well-meaning adoptive family and her Ojibwe birth family, Cedar desperately tries to keep her pregnancy a secret as martial law descends on the world and pregnant women are registered and interned in a desperate attempt to move evolution forward once more.

why I’m excited: I love when literary authors like Louise Erdrich jump the fence to genre (and vice versa, as you could argue Jeff VanderMeer did with Annihilation). Future Home of the Living God plays in the same sandbox as other sudden evolution/sudden infertility classics like Children of Men and Darwin’s Radio, but where those books are stolid and grim, I’m hoping Erdrich will bring a touch of sly humor to the proceedings. After all, the apocalypse means something different to Indigenous folks who have already seen the end of one kind of world. Plus, that cover is gorgeous. Using an ultrasound image as the background was a stroke of genius.

Sweetbitter by Stephanie Danler

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Sweetbitter Coverthe premise: From the post I wrote yesterday about this book, restaurants, and other underutilized settings in literary fiction:

Sweetbitter follows a woman who moves alone from a small town to New York City, where she lands a job at a landmark restaurant as a backwaiter. She falls into a dizzying love triangle with Simone and Jake, two otherworldly-beautiful folks with secrets to keep, and tries to survive New York’s punishing restaurant scene.”

why I’m excited: Well, I’m already halfway through this one, so it seems a tad like cheating to say what I’m excited about now. The reason I jumped this book to the front of my TBR queue was because I wanted a sensual, melodramatic bildungsroman in my life, and boy, does this book fit the bill. It won’t be everyone’s cup of tea, but it’s soapy and funny and loud and sad and beautiful. I’m loving it. It’ll make you hungry, too.

Invitation to a Bonfire by Adrienne Celt

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Invitation to a Bonfire Coverthe premise: Zoya Andropova, a Soviet refugee who feels lost and isolated at a New Jersey boarding school, gets swept into a whirlwind affair with Russian author Leo Orlov, only to discover that it’s really a love triangle–his wife Vera lurks ever behind the scenes. As the affair grows more heated and more sinister, Zoya tries to disentangle the heady threads of national and ethnic identity, class lines, and, er…great sex, it would seem.

why I’m excited: Man, I don’t know! This could go either way, from being icky and terrible to being beyond great. Adrienne Celt based the story on the complicated marriage of Vladimir Nabokov, which I freely admit I know nothing about. I’m getting a little bit of a Sweetbitter vibe in that Invitation to a Bonfire seems to be a sensual coming-of-age story. I also love reading refugee stories, and though Soviet refugees constitute one of the biggest chunks of the American refugee population, they don’t seem to get their due in fiction. I’m ready to give myself over to this Soviet-angst-love-triangle drama, whether it lives up to my high expectations or not.


What’s in your bookbag this week? Do you have any exciting weekend reading plans? Let me know in the comments, and feel free to link to your own book reviews and blog posts!

Restaurants, Retail, and Other Underutilized Settings in Literary Fiction

Sweetbitter CoverI recently jumped Sweetbitter by Stephanie Danler (Goodreads) to the top of my TBR queue because I was in desperate need of something not unnerving (e.g. The Hole, Future Home of the Living God) and not terribly sad (e.g. They Both Die at the End, All the Ever Afters).

Sweetbitter is still kind of sad, as the name suggests. But I’m loving it so far regardless, and it’s reminding me that restaurants are criminally underused as a setting for fiction.

Sweetbitter follows a woman who moves alone from a small town to New York City, where she lands a job at a landmark restaurant as a backwaiter. She falls into a dizzying love triangle with Simone and Jake, two otherworldly-beautiful folks with secrets to keep, and tries to survive New York’s punishing restaurant scene.

Charmingly, the main character isn’t a writer or actress or any other cliché of the coming-to-New-York story: she’s just someone who wants to live in New York, and decides that working as a waitress is the best way to make that happen.

Danler writes beautifully about food, friends, sex, and relationships, and best of all, she perfectly captures the off-kilter, loss-of-innocence feeling that can happen when you work in a restaurant. I can’t wait to review this one next week, and it’s stirring up all kinds of feelings in me about what’s missing from today’s literary fiction.

Part of my intense connection to Sweetbitter comes from my own brief experience working in a restaurant-slash-ice-cream shop when I was 17. It was horrible. I barely lasted two months. The customers were punishing, I was always tired and sore, and the behind-the-scenes drama between kitchen staff, waitstaff, and ice cream scoopers was unbearable. (I remember one night around midnight, after close, when everyone decided to compare their favorite vibrator brands in graphic, uncomfortable detail, sexual harassment rules be damned.)

My experience felt extraordinary at the time, but in the scheme of things, it was actually a shockingly boring one for food service. My sister still works as a waitress, hostess, and bartender, and the stories she tells could curl anyone’s toes: ditto the stories of my other food-service-working friends and family. It’s amazing to me that this goldmine isn’t tapped by writers more often–or maybe it is being written, and just not published, which is another problem altogether.

I think literary fiction is having something of an identity crisis at the moment. On one hand, it’s still partially the white women’s book club genre that A Brief History of Seven Killings author Marlon James decried (rightly, I think) back in 2015: focused to a fault on “middle style prose and private ennui.”

On the other hand, literary fiction is also being cracked wide open by authors like Tayari Jones, Celeste Ng, Yaa Gyasi, Catherine Lacey, Rachel Kushner, and Rachel Khong, all of whom wrote books that explored massive topics like slavery and mass incarceration, aging parents and economic downturns, adoption and parenthood, online dating and changing technology in weird, bright, true, and beautiful ways.

That second type of literary fiction is the one that I hope persists–a fiction that reflects a wide swath of ordinary lives back at us with extraordinary empathy and extraordinary prose.

Don’t get me wrong: I know that Sweetbitter is only barely outside the literary norm. Danler’s protagonist is still young, thin, white, and beautiful, and getting a job at a world-class restaurant the second you arrive in New York City is about as realistic as the 1950 Disney Cinderella movie. But it’s given me a delicious taste of what can happen when literary fiction gives itself over to sensuality rather than ennui, to the tactile and real rather than the cerebral and detached. And I want more.


What settings would you like to see literary fiction explore more? Do you have any recommendations for novels set in restaurants, now that my appetite has been thoroughly whetted? Do you have any juicy food service or retail stories? Please leave your thoughts in the comments!

Book Review: ANNIHILATION by Jeff VanderMeer

Fear of losing one’s self and one’s mind drives a lot of fiction these days, but I can safely say that Jeff VanderMeer’s eco-thriller Annihilation is one of the most original and thought-provoking takes on the theme I’ve read. Somewhere in the American South, an ecological mystery zone is spreading, governed by the top-secret Southern Reach organization. Some who enter kill themselves; some kill each other. The last expedition materialized randomly back at their homes, dying of aggressive cancer within months. Annihilation is the story of the twelfth expedition, told from the perspective of the an idiosyncratic biologist. The expedition quickly unravels amidst ever-eerier encounters with the natural (and unnatural) world, leaving the biologist to uncover devastating secrets…and to wonder if Area X is truly a disaster, or a blessing in disguise. While parts of the story feel almost hypnotically dull, it’s also, somehow, unputdownable. If you’ve ever been lost in the woods, you’ll recognize the mixed sensations of dread and wonder that Annihilation inspires. VanderMeer’s vision is breathtaking here, and my quibbles with his execution pale in comparison to the vast feelings of awe and possibility I felt while reading: exactly what I go to science fiction for in the first place.

You can read my full review below.


9780374104092

Annihilation by Jeff VanderMeer

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  • publisher: Farrar, Straus and Giroux (an imprint of Macmillan)
  • publication date: February 4, 2014
  • length: 195 pages
  • cover price: $14.00

The tower, which was not supposed to be there, plunges into the earth in a place just before the black pine forest begins to give way to swamp and then the reeds and wind-gnarled trees of the marsh flats. Beyond the marsh flats and the natural canals lies the ocean and, a little farther down the coast, a derelict lighthouse. All of this part of the country had been abandoned for decades, for reasons that are not easy to relate. Our expedition was the first to enter Area X for more than two years, and much of our predecessors’ equipment had rusted, their tents and sheds little more than husks. Looking out over that untroubled landscape, I do not believe any of us could yet see the threat.

Annihilation, page 1

I’m usually a “book first, movie second” kind of reader, but the movie adaptation of Annihilation came out of left field earlier this year and had me completely under its spell before I’d even heard of the novel. The film’s vision of a sci-fi future in which an alien crash landing causes a violent “shimmer” to begin devouring the American South, mutating everything it encounters, completely engrossed me–and while I was warned that it was a very loose adaptation of Jeff VanderMeer’s novel (Annihilation is the first in a trilogy), I knew I had to read it, if only to get another hours-long fix of the eerie world of the shimmer, a.k.a. “Area X” in the novels.

It’s true that the movie and novel are vastly different, but after reading Annihilation, I wasn’t disappointed at all by those differences–far from it. If you’ve read the book and been hesitant about the movie, or vice versa, I’m here to say that I think they both do an admirable job with the premise: a doomed expedition explores a creepy cordoned-off zone that’s as beautiful as it is dangerous, and finds more than they bargained for.

And with that, I’ll stop talking about the movie, since I really do intend this as a book review!

The most striking thing about Annihilation from the very first page is how bloodless and almost bland the narration is. The conceit is that we’re reading the journal of a member of the twelfth expedition known only as The Biologist (for unknown reasons, the Southern Reach strips all expedition participants of their names before they enter Area X). The biologist’s voice is extremely idiosyncratic, cold, and obsessive; I think that’s a polarizing choice on VanderMeer’s part, but it worked for me.

Something I loved about the diary structure is how it exposes the way the biologist has little allegiance to humanity and much more to the natural world. We get the sense early on that she wouldn’t be sad if Area X up and swallowed society as we know it. Pages and pages are devoted to how beautiful Area X is, including unsettling sights like human-dolphin hybrids and a strange moss/lichen/something that grows in the shape of ominous psalm-esque words; more disturbingly, she seems to view terrible violence as beauty, too. Her reaction to the death of a companion has the resigned-cum-awe feel that I associate with watching an osprey snatch a fish from a lake: that’s just the way of things, and at least it’s stunning to watch.

I don’t think that the biologist’s stance on humanity is necessarily wrong; I think a lot of the world’s ills can be traced to the fact that humans view other humans as exceptional, and the rest of nature as disposable. It’s just an unusual perspective to read about, especially in science fiction, which often draws from the “humanity must unite against apocalypse” well. Annihilation‘s tack is much more “humanity must concede to the apocalypse, and also acknowledge that it’s nothing personal.”

A lot of other science fiction (looking at you, The Matrix) also proposes that the world might be better off without us; the difference is that in those other movies, books, and TV shows, I always feel like I’m being manipulated into thinking either that of course humanity should survive, or of course I should take the cynical, suicidal view and think we shouldn’t.

Annihilation, on the other hand, poses the question genuinely and almost casually; you’re welcome to feel either way. You don’t have to engage with the philosophical parts of this book if you don’t want to–the woman vs. nature story will be enjoyable regardless–but there’s an abundance of riches here if you’re an overthinker like me, and I love that VanderMeer has created a novel that works on so many levels.

Unfortunately, Annihilation‘s pacing and plot do fizzle at times. There’s a lot of doubling-back, both literal (the biologist hiking back and forth around Area X) and ideological (is Area X good? is it bad? what is it? we just don’t know). Sometimes there’s a heart-pounding action sequence that suddenly stops dead as the biologist reminisces about her life. And there are several revelations that left me scratching my head, and not in an exciting “I wonder what happens next” way: more of a “where could VanderMeer possibly be going with this?” way.

For me, it wasn’t enough to ruin my enjoyment, but if you’re the kind of person who can’t stand when characters act stubbornly and/or stupidly, you might find it to be a deal-breaker.

To be fair, some of the vagueness (though not the biologist’s stubbornness) could be attributable to Annihilation‘s position as the first book in the Southern Reach trilogy. I haven’t read the latter two books–Authority and Acceptance–yet, but I’ll gladly deliver a verdict when I finish the trilogy, which should be soon. I can’t wait for payday when I can splurge on those two in good conscience.

Ultimately, what I can’t get out of my head is Annihilation‘s drastic (and I think successful) experiments with selfhood and setting. VanderMeer creates a world in which giving up our individual needs to participate in collective systems instead–the human system of the Southern Reach, and the natural one of Area X–seems not only practical, but appealing. When you look at how society (especially Western society) is set up, inverting the reader’s perspective in that way is a tremendous achievement. I love that kind of ambition.

Annihilation is an immersive and reliable ticket out of everyday life for a few hours. It’s as visionary and cerebral as it is earthy and grounded, and I’m convinced there’s something here for everyone. Even if you don’t love the trip, it’s an unforgettable view out the window. ★★★★☆


I purchased my own copy of Annihilation and was in no way compensated for this review.

Friday Bookbag, 7.6.18

FridayBookbag

Friday Bookbag is a weekly feature where I share a list of books I’ve borrowed, bought, or received during the week. It’s my chance to buzz about my excitement for books I might not get the chance to review.

I’m back after my restful hiatus (the surgery was a raging success!) and I’m ready to catch up on all the reading I’ve fallen behind on this month. These books have more than whet my appetite. Let’s dive in!


The Hole by Hye-Young Pyun (translated by Sora Kim-Russell)

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The Hole Cover

the premise: Ogi caused a car accident that killed his wife and left him severely disabled. As he reckons with intense grief and guilt, his mother-in-law begins acting strangely, causing him to question everything he thought he knew about his former life with his wife.

why I’m excited: This book was a massive success in Korea, and the English translation was a nominee for the 2017 Shirley Jackson awards. It’s a terrifying, novella-length thriller that’s apparently reminiscent of Stephen King’s Misery. Doesn’t that sound amazing? I’m in. (I’m also seriously excited about the state of Korean literature, since this book also sounds reminiscent of The Vegetarian by Han Kang, which I loved. I hope the success of these books spurs more translations into English.)

All the Ever Afters: The Untold Story of Cinderella’s Stepmother by Danielle Teller

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9780062798206the premise: It’s right there in the title: All the Ever Afters is the story of Cinderella’s stepmother. In this version, stepmother Agnes starts out as a serf and nursemaid to Ella, the beautiful, ethereal girl who will eventually become a princess. After Ella’s marriage, horrible rumors begin to spread about her childhood,  and Agnes fights to hold on to the real story.

why I’m excited: I’m not sure if any Cinderella-related story is actually “untold” at this point–it’s one of the most popular and most-adapted stories of all time–but this one caught my eye because it looks like it’ll dig deep on the misogyny and class politics that underpin the fairy tale. I hope it’s not too gritty, since I’ve gotten quite sick of Gregory Maguire-style retellings (which this is getting compared to), but I’m excited to give it a shot.

Girls Burn Brighter by Shobha Rao

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Girls Burn Brighter Coverthe premise: Poornima and Savitha are best friends living in an impoverished Indian village, but when an act of staggering cruelty drives the two girls apart, Poornima is determined to be reunited with her best friend. She escapes an arranged marriage and travels the breadth of India and the world on her mission, uncovering startling secrets along the way.

why I’m excited: You know, this one could be hit or miss for me. I sometimes struggle with the kind of novel, like this one, that seems determined to expose the horrible underbelly of the world. But the focus on the girls’ friendship is a strong point in its favor, as are the extremely positive reviews the book has received. I’m hoping the pessimist in me is wrong and that the optimist in me finds the insides of this book to be as brilliant and striking as its cover design.

Cross Her Heart by Sarah Pinborough

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9780062856791the premise: Lisa is a single mother living a quiet life–too quiet, at least according to her daughter, Ava, who wishes to live a normal life with her secret boyfriend. Lisa’s friend Marilyn is concerned about Lisa’s isolation, but she has problems of her own. When a betrayal buried deep in Lisa’s past threatens to have terrible consequences in the present, the secrets these three women keep from each other become explosive–and devastating.

why I’m excited: I received this advance reader copy from the publisher (it doesn’t come out until September) and I am beyond excited for it. I’m a huge fan of literary thrillers, especially ones starring women. I also can’t get enough of the “dark secrets in her past” trope. This and Pinborough’s earlier novel, Behind Her Eyes, have gotten rave reviews from people like Stephen King; the buzz they’ve already generated in Pinborough’s native U.K. is astonishing. I can’t wait to lose an afternoon or two to this one.


What’s in your bookbag this week? Do you have any exciting weekend reading plans? Let me know in the comments, and feel free to link to your own book reviews and blog posts!

Book Review: STRAYING by Molly McCloskey

Straying is a portrait of a marriage gone stale; it’s also the story of a daughter struggling to understand her mother, and the story of an American woman in Ireland who finds–metaphorically, at least–that she can’t go home again. (Straying‘s protagonist, Alice, is at the heart of all three threads–she’s the cheating wife, the disappointing daughter, and the wander-lost American, respectively.) Nothing is new or exciting about that plot, but Molly McCloskey’s sharp prose style elevates the experience somewhat, especially in the first third of the book, which captures the staticky, on-edge feeling of being in love with the wrong person perfectly. Unfortunately, the decay of Alice’s marriage is nowhere as insightful or interesting as its beginning, and while I understand that that’s likely a conscious choice on McCloskey’s part, the latter two-thirds still make for dry, abrasive reading. Straying starts with a spark and plenty of tinder, but it never catches fire.

You can read my full review below.


9781501172465

Straying by Molly McCloskey

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  • publisher: Scribner Book Company (an imprint of Simon & Schuster)
  • publication date: February 20, 2018
  • length: 224 pages
  • cover price: $24.00

How do people do it, I used to wonder. Well, I learned. That sort of secret feels like an illness, the way the world slows to a crawl as though for your inspection. So much clarity and consequence–it was like enlightenment, it was like being in the truth, which is a funny thing to say about deceit.

Straying, page 1

I think that there are two iconic American dreams: one of coming to America and one of leaving it. Alice, Straying‘s narrator, decides to visit Ireland because she realizes that a full European tour is out of her budget; she ends up moving there in working in a pub for a summer, and though her experience isn’t glamorous at all I still felt my heart beating faster.

How romantic! I thought. I wish I could drop everything and move to Ireland.

And that was the last romantic, silly thought I had while reading this book, which is one of the dreariest I’ve experienced in some time.

Part of that dullness lies in Straying’s subject matter. I don’t like to ding authors for that in my reviews, since more than anything else, our preferences for what we like to read and write about are personal. I can’t develop a coherent rubric for why I love books about cults but am wary of mid-life crisis novels; it’s pure preference, and I had the sneaking suspicion throughout Straying that nearly everything I disliked about it was just that: preference.

McCloskey seems to evade (or at times, to stomp on) warm-fuzzies everywhere they might naturally pop up. In a nutshell, Straying is about how Alice moves to Ireland, falls in a sort-of love, falls out of it, embarks on an affair, works for NGOs in war zones, loses her mother, and feels a lot of things about homesickness. The novel is told out of order, partially in flashback to the ’80s and partially in the present day, so this is all established early (which is why I don’t consider them spoilers). The tension lies entirely in the sordid specifics, which unspool agonizingly slowly and pessimistically.

For example, instead of finding any sort of tourist’s joy in Ireland, Alice seems disenchanted immediately. The kindest, most loving thought she has about Eddie, her once-husband, is about his solidness–that he will someday be the kind of old man she likes. She loves her mother recklessly and yet lives almost her whole life away from her.

To me that’s all very realistic, very sad, and very, very boring.

But what do I know? Another major theme of the book is the recklessness of youth. I’m 23 and fully in my reckless phase, so it was probably inevitable that I would find this book as dry as sawdust. (When I initially picked it up, I thought more of it would focus on Alice’s younger self, but it’s mostly told from her late middle age.) I’m about to get married myself–of course I’m not going to want to be reminded of all the ways my life could go wrong. Of course I would find this book stolid. Of course I would find it unpleasantly hardened.

But there’s still a lot to like here. Every character feels almost disconcertingly three-dimensional, like I could access their backstories Magic Eye-style by crossing my eyes a bit. McCloskey has a knack for making observations about life that are so true and painful that they made my blood run cold. And Alice is a truly wonderful first-person narrator, prickly and vulnerable, someone we get a real sense of as a participant in the story instead of someone who is just a glorified third-person narrator.

Most of all, I loved how McCloskey writes about Ireland in the 1980s. While I was reading, Ireland’s grimy upstart-ness, its trauma and resilience, its falls and rebirths, and its smells and sights and geography were all as real to me as the Saint Paul, Minnesota streets outside my window.

While Straying wasn’t to my taste, it still felt like a conversation with someone very interesting; someone whom you want very much to like you and think of you as sophisticated. Maybe it wasn’t to my taste exactly because I didn’t feel like I measured up to the novel’s exacting gaze.

No one likes to be predictable. Everyone likes to think their story is the special one. Perhaps McCloskey’s refusal to write about someone special is, in itself, very special, even if it is far from enjoyable. It’s food for thought, anyway. ★★★☆☆


My copy of Straying came from my local library and I was in no way compensated for this review.