Book Review: DIFFICULT WOMEN by Roxane Gay

Roxane Gay’s highly anticipated (and well-received) 2017 short story collection, Difficult Women, is, in short, worth every bit of that anticipating and receiving. Difficult Women is everything I want out of a short story collection and a lot more: the stories on their own are excellent; together, they’re transcendent. This is easily one of my favorite books I have ever read.

You can read my full review below.


Difficult Women Cover
cover description: A shattered pink glass heart against a black background.

Difficult Women by Roxane Gay

Goodreads | Amazon | Barnes & Noble | IndieBound

  • publisher: Grove Press
  • publication date: 2017
  • length: 272 pages

Boys don’t really know how to hurt girls.

–from “Baby Arm” in Difficult Women by Roxane Gay

I’ve loved Roxane Gay’s short fiction for many years, even before she became as beloved and well-known as she is now. As a teenager, between writing my own short stories, I would pore over the “Writing” page on her website, tracking down and devouring every short story I could find that wasn’t behind a paywall.

Yet even that abiding love for Gay’s uncollected work did not prepare me for how much I would adore Difficult Women.

Difficult Women‘s parts are extraordinary, but as a whole it’s even more powerful. I don’t think I’ve ever read a collection so artfully assembled. Themes are established with exquisite care; one of my favorite runs of stories builds from metaphor to magical realism to straight-up science fiction about society and prejudice. Without that onramp, the sci-fi story (set in the near-future) would have felt jarring in an otherwise realistic collection. With the onramp, it only strengthens Gay’s real-world themes.

Another standout run of stories is about fertility and infertility, without ever feeling like it’s about fertility and infertility. A moral kills a short story; luckily, each story in Difficult Women has the desperate feeling of a message in a bottle sent from a place where morals have unraveled.

This is, unsurprisingly, a difficult book. It is not essential reading. It is not a crystallization of our times. It is not palatable, exactly. But it is gripping, sharp, indulgent, and pleasurable in the way of an excellent meal had at an expensive and unfamiliar restaurant.

“Difficult” does not have to mean unpleasant, distasteful, or uncomfortable. Difficult Women is a blueprint for how to write a difficult book that’s a delight to read.

I think much of that comes from how embodied Gay’s writing is. Gay is a top-notch sex writer who understands, and uses, sensation completely.

Difficult Women encompasses a wide variety of bodies: thin ones, muscled ones, fat ones, wounded ones, transparent glass ones, sadists, masochists, bad priests. Gay (presumably) only has one body, but she transports readers effortlessly into all of these different and contradictory bodies. Even when I didn’t totally love or understand a story’s plot, I was always so taken with its feel that it hardly mattered.

It’s difficult to choose favorite stories since this collection fits together so well, but with a gun to my head I might pick “Baby Arm,” about a fight club, “North Country,” about an isolated engineer in Michigan’s Upper Peninsula, “Requiem for a Glass Heart,” about a woman made of glass and her careful careless husband, and “I Am a Knife,” about a woman (the knife) and her husband (a gun).

I can’t wait to re-read Difficult Women. Many reviews I’ve seen of this book describe it as a deeply relatable book, about women like “us.” I didn’t find it that way. I didn’t understand these characters at all. Sometimes a book is better for being unfathomable; I think Difficult Women is unfathomable in the best way, an endlessly fascinating Rorschach test kind of way.

If you missed Difficult Women during all its initial fanfare, please come back for it. I’m glad I did. This book is a treasure. ★★★★★

Reviews and books you might also enjoy:


I purchased my own copy of Difficult Women and was in no way compensated for this review.

Friday Bookbag, 6.14.19

FridayBookbag

Friday Bookbag is a weekly feature where I share a list of books I’ve borrowed, bought, or received during the week. It’s my chance to buzz about my excitement for books I might not get the chance to review.

This weekend my wife and I are looking forward to some fun Father’s Day plans with my father-in-law (on Saturday) and with my dad (on Sunday). It’s not going to leave a lot of time for reading, but it’s putting a sunny spin on my next few days nonetheless. And if Father’s Day is a difficult day for you, as Mother’s Day very much is for me, I hope you take excellent care of yourself this weekend and get to curl up with the very best books and a good cup of tea.

I’m even more excited than usual about the books I nabbed this week. Let’s dive in!


Beyond Belief: My Secret Life Inside Scientology and My Harrowing Escape by Jenna Miscavige Hill (with Lisa Pulitzer)

Goodreads | Amazon | Barnes & Noble | IndieBound

Beyond Belief Cover
cover description: a young white blonde girl in white robes smiles at the camera in what appears to be a family photo.

the premise: From Goodreads:

“Jenna Miscavige was raised to obey. As niece of the Church of Scientology’s leader David Miscavige, she grew up at the center of this controversial organization. At 21, she made a break, risking everything she’d ever known and loved to leave Scientology once and for all. Now she speaks out about her life, the Church, her escape, going deep inside a religion that, for decades, has been the subject of fierce debate and speculation worldwide.

Piercing the veil of secrecy that has shrouded the world of Scientology, this insider reveals unprecedented firsthand knowledge of the religion, its rituals and its mysterious leader—David Miscavige.”

why I’m excited: I’ve been on a kick of consuming content about cults niche movements this month. (Which is part of a broader pattern of me lapping this stuff up.) I’m currently obsessed with NXIVM, which shares a lot of similarities with Scientology, though Scientology has yet to implode quite so spectacularly. It’s always brave to write a memoir about a troubled childhood, and I think Miscavige has been particularly brave to write this one. I look forward to reading it.

Behind the Throne: A Domestic History of the British Royal Household by Adrian Tinniswood

Goodreads | Amazon | Barnes & Noble | IndieBound

Behind the Throne Cover
cover description: an illustration of Queen Elizabeth I being carried in a litter.

the premise: From Goodreads:

“Monarchs: they’re just like us. They entertain their friends and eat and worry about money. Henry VIII tripped over his dogs. George II threw his son out of the house. James I had to cut back on the alcohol bills.

In Behind the Throne, historian Adrian Tinniswood uncovers the reality of five centuries of life at the English court, taking the reader on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire, the practicalities of cooking dinner for thousands and of ensuring the king always won when he played a game of tennis.

A masterful and witty social history of five centuries of royal life, Behind the Throne offers a grand tour of England’s grandest households.”

why I’m excited: I simultaneously think that the British monarchy is antiquated BS that UK citizens shouldn’t have to foot the bill for…and am completely fascinated by it, rabidly consuming royal content (fictional and…even more fictional) from the Netflix series The Crown to Philippa Gregory’s The Other Boleyn Girl. I have always wondered about the practicalities of keeping monarchs happy, and this looks like a fun peek behind that curtain.

A Manual for Cleaning Women: Selected Stories by Lucia Berlin

Goodreads | Amazon | Barnes & Noble | IndieBound

A Manual for Cleaning Women Cover
cover description: A housekeeper’s key against a reddish-pink background.

the premise: From Goodreads:

“A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin. With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they’d ever overlooked her in the first place.”

why I’m excited: I’m always looking for more short fiction to read, and I particularly love this sort of margins-of-society short fiction. And I super-particularly love what writers from the ’50s-’80s were doing with the form, which was when Berlin was writing. (She was born in 1936 and passed away in 2004.) This looks great.

How to Write an Autobiographical Novel: Essays by Alexander Chee

Goodreads | Amazon | Barnes & Noble | IndieBound

How to Write an Autobiographical Novel Cover
cover description: a tiny black and white photo of the author sits slightly off center against a red background.

the premise: From Goodreads:

“How to Write an Autobiographical Novel is the author’s manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing—Tarot-reading, bookselling, cater-waiting for William F. Buckley—the writing of his first novel, Edinburgh, and the election of Donald Trump.

By turns commanding, heartbreaking, and wry, How to Write an Autobiographical Novel asks questions about how we create ourselves in life and in art, and how to fight when our dearest truths are under attack.”

why I’m excited: I’ve heard nothing but glowing things about this book, and I also love this author’s Twitter presence. I’ve been digging essay collections lately and I hope this one really blows my socks off.

Slipping: Stories, Essays, and Other Writing by Lauren Beukes

Goodreads | Amazon | Barnes & Noble | IndieBound

Slipping Cover
cover description: an anatomical illustration of a heart against an electric blue background.

the premise: From Goodreads:

“In her edgy, satiric debut collection, award-winning South African journalist and author Lauren Beukes (The Shining Girls, Moxyland) never holds back. Nothing is simple and everything is perilous when humans are involved: corruption, greed, and even love (of a sort).

A permanent corporate branding gives a young woman enhanced physical abilities and a nearly-constant high
Recruits lifted out of poverty find a far worse fate collecting biohazardous plants on an inhospitable world
The only adult survivor of the apocalypse decides he will be the savior of teenagers; the teenagers are not amused.

From Johannesburg to outer space, these previously uncollected tales are a compelling, dark, and slippery ride.”

why I’m excited: This really blends my current interest in short story collections and essays, doesn’t it? This book feels like a project Neil Gaiman would do, or Margaret Atwood. It looks funny and sharp and memorable. Even if I don’t like this, exactly, I know I’ll love the boldness. I’m excited.


What’s in your bookbag this week? Do you have any exciting weekend reading plans? Let me know in the comments, and feel free to link to your own book reviews and blog posts!

Book Review: INCENDIARY GIRLS by Kodi Scheer

Incendiary Girls is a literary short story collection that stays firmly in the realm of magical realism. Kodi Scheer is excellent at incorporating the magical elements, but despite the magic, Incendiary Girls is boring. Its stories are gruesome and uncomfortable with little emotional payoff; characters are bitter and selfish without having the necessary quality of “interesting.” Some of the imagery comes off as blatantly bigoted, and it’s not clear to me if Kodi Scheer was intending to critique those images or if she’s just blandly perpetuating them.

I don’t mind difficult stories as long as I feel changed at the end, but all I felt at the end of Incendiary Girls was annoyed. I’m sorry to say that I didn’t like this collection at all, and at times I even actively loathed it.

You can read my full review below.


Incendiary Girls Cover
cover description: a white Arabian horse against a stark black background.

Incendiary Girls by Kodi Scheer

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  • publisher: New Harvest (an imprint of Amazon Publishing)
  • publication date: April 2014
  • length: 208 pages

Incendiary Girls is a tight spiral of a short story collection, eleven stories that all circle the same handful of themes and motifs: medicine, death, sex, motherhood, and intercultural and interracial relationships. None of the stories are technically linked, but all contain small nods to the others. All take place in a universe of magical realism: there’s always least one bizarre and impossible element always in play, and it’s always treated with complete seriousness.

It’s an intriguing structure that gives Incendiary Girls a cohesive, distinctive feel. The problem is that the stories themselves don’t work.

I found ten of the eleven stories here to be irredeemably gruesome, tacky, confusing, and often tone-deaf. Body horror abounds: dissection, graphically described tumors, and melting skin are all par for the course. It’s not something I would mind if there were meaning or at least entertainment in all the suffering, but I rarely found it. Character arcs barely budge. The dark humor doesn’t land. It comes off like a stodgy slasher film. (Is there anything worse than a stodgy slasher film?)

More disturbingly, the collection is steeped in creepy racism and other bigotry (in dialogue, first-person monologue, and even third-person narration), and it was unclear to me if Kodi Scheer was deliberately writing about bigots or if she simply didn’t realize it was bigotry at all.

There are are ways to write about racists without a whole story coming off as racist. Scheer just never pulls it off cleanly.

In “Transplant,” a blonde, pale woman gets a heart transplant, and her skin and hair literally get darker and thicker in the aftermath. She suddenly decides to convert to Islam and speculates about whether or not her donor heart came from someone Muslim. Then her body rejects the heart and she goes back to being blonde and sort of atheist. The whole thing is dripping with orientalism, and again, I can’t tell if it’s a critique of orientalism or the real deal. Hmm.

Tied for the two most bafflingly offensive stories were “When a Camel Breaks Your Heart,” about a white American woman dating an Arab Muslim man who’s embarrassed to bring her home–he then literally turns into a camel, whom she sends to a zoo–and “Primal Son,” about a couple struggling to conceive who try to adopt an infant from China and but then miraculously conceive and have a monkey for a baby. They end up moving to Tanzania after. You know, in Africa. Because they’re monkeys now?

HMMMMMMMMM.

I sincerely hope that I’m misreading all of this and that Scheer is actually trying to say something nuanced and complicated. I’m being sincere when I say that is my sincere hope! I’m desperate for more complicated and messy narratives around race and desire, and I absolutely don’t think there’s only one correct way to write about those topics.

But the optics here are…bad. There’s no challenge to characters’ bigotry, no pushback on unsavory ideas. It’s plausibly deniable Schrödinger’s racism that’s even more grating to me than an openly racist narrative would be. It’s all just ambiguous enough to make me feel like I’m overreacting by calling it racist.

But I’m officially going to come down on the side of calling this book racist. If your points about racism are so subtle that a racist reader might still enjoy your story comfortably, then I think you’ve failed both morally and technically as a writer.

I will allow that Scheer has an admirable grip on when to use magical realism: i.e., when real world imagery isn’t as effective at conveying an emotion or experience as magical imagery would be. I liked the use of magic in Incendiary Girls. That’s difficult to do and I admire that. It’s just the how part of using magical realism where I feel she’s slipped.

In “Primal Son,” for example, I’m not objecting wholesale to an allegory for infertility in which a woman gives birth to a monkey. I’m objecting to the total obliviousness involved in having a white-seeming couple give birth to a monkey and then slowly turn into monkeys themselves, culminating in them moving to Africa.

In the story “Ex-Utero,” which takes place in a hospital, a man with congenital adrenal hyperplasia–a very real intersex condition–discovers that he’s pregnant and begs for an emergency abortion. This is juxtaposed with rolling power blackouts and treated as a sign of the end of the world.

I don’t inherently object to a magical realist story about a “pregnant man”; I do object to a story that dehumanizes a character with a real life condition, treating him more like a freak show cadaver than a person. He’s not even a main character with agency or an inner life–the protagonist of “Ex-Utero” is instead a competitive, striving female doctor doing her residency, who delights in watching the man be cut open for the abortion.

Compounding the moral muddiness, a lot of the writing in Incendiary Girls is simply not good. Clichés abound. Dialogue thuds. Cheap twist endings come out of nowhere. There are a few beautiful sentences and emotional revelations here, but they’re buried by the crud.

The one story in Incendiary Girls that did fully work for me was called “No Monsters Here.” It’s about a woman with OCD who’s raising her daughter alone while her husband is working as a medic in the Middle East. She slowly discovers his body parts lying around the house and desperately tries to hide them in a linen closet so she doesn’t disturb her daughter; she realizes her husband must be missing or dead, and frantically tries to come to terms with that fact.

“No Monsters Here” is an urgent, palpable, desperate-feeling story about mental illness, loss, motherhood, and legacy. The imagery of the body parts fit the subject material perfectly. It didn’t wander off on strange and offensive tangents. It was well-written and haunting and I enjoyed it.

Unfortunately, it made up only one-eleventh of this book. ★☆


I purchased my own copy of Incendiary Girls and was in no way compensated for this review.

Book Review: WHITE DANCING ELEPHANTS by Chaya Bhuvaneswar

I love short story collections, but they’re devilishly tricky to review. Luckily, Chaya Bhuvaneswar’s debut collection, White Dancing Elephants, makes it easy for me: every single story is a knockout, cohering into a whole even greater than the sum of each part. Spanning continents, centuries, societies, religions, languages, genders, and sexualities, White Dancing Elephants offers up a profoundly moving series of observations about what it means to be alive (and sometimes dead), in some of the most beautiful prose I’ve read lately. Fans of the short stories of Alice Munro, Margaret Atwood, and Jhumpa Lahiri won’t want to miss this one, though this collection is far from a mere imitation of those authors: with White Dancing Elephants, Bhuvaneswar forges terrific new ground all her own.

You can read my full review below.


whitedancingelephantscover

White Dancing Elephants by Chaya Bhuvaneswar

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  • publisher: Dzanc Books
  • publication date: October 9, 2018
  • length: 208 pages

Two years ago, when I went back to Agra, India, at the age of twenty-two, to visit my grandparents and let two of my uncles set up my marriage, my ex-girlfriend Lauren, whom I work with now on a daily basis, came after me, hoping to stop me from giving in.

–from the story “Adristakama,” in White Dancing Elephants by Chaya Bhuvaneswar

I always forget how much scaffolding goes into making a good story until I read–or attempt to write–a short story. A novel (or even a novella) has so much room for curtains and cover-ups, words that smooth over worldbuilding and stakes in order to keep us fully immersed in the fiction. A short story does not.

Authors of short stories must hit a bullseye every time in order to be successful: they need to choose a premise that’s exactly the right size for the story, peopled by the right number of characters, made meaningful by the right array of metaphors and themes and big reveals. One wrong move and the spell is broken.

Assembling a collection is even harder. The stories must not only work well on their own, but add meaning to each other. They must be unified into something that’s more than just a collection of pretty items in a shoebox–something more like a thoughtful exhibit at a museum, something you’d remember for a long time.

I was reminded of all these difficulties because White Dancing Elephants makes it look absolutely effortless. It’s a high wire act that its author, physician and writer Chaya Bhuvaneswar, might as well be performing at ground level for all it seems to test her.

It’s hard to say what, exactly, unifies the stories of White Dancing Elephants, except that they are unified. The titular story (also the first one in the collection) follows a woman struggling with a miscarriage. It’s trippy and surreal, but not self-consciously so, a watercolor-y portrait of pain and dreaming.

From there the collection opens up into a riot of color, idea, sound, humor, violence, ache. “Talinda” is vicious and tender by turns, chronicling a toxic friendship poisoned by cancer, an affair, and overwhelming, terribly attentive cruelty. “A Shaker Chair,” my least favorite story in the collection (but still a damn interesting one) is also about two women determined to hurt each other, but this time it’s a black biracial therapist and her Indian client. It probes at the ways abuse, prejudice, and sex intertwine, especially at how Asian anti-Blackness and Black xenophobia work in frustrating tandem, neither sin of mistrust cancelling out the other.

My favorite story comes near the midpoint and is also, I believe, the shortest. “Neela: Bhopal, 1984” explores the “world’s worst industrial disaster” (the 1984 chemical leak at the Union Carbide pesticide plant) in language that’s far from the clinical and numerical, the way it’s mainly written about in the U.S. today. A girl goes outside to play and does not come home. Bhuvaneswar handles the material with great tenderness and sharpness both, managing to avoid a simple environmentalist morality play in favor of something more spiritual, piercing, and indicting.

I can’t decide if Bhuvaneswar’s style is deceptively simple or simply deceptive: she’s a master of storytelling sleights-of-hand, focusing your attention on the details so that the full emotional weight of each story sneaks up on you right at the end, without feeling like a cheap “gotcha.” I don’t think I’ve ever read a book so full of revelations.

She also writes with incredible specificity, name-dropping brand names and place names and disorders and configurations of queerness. This would feel less interesting if the stories were obviously autobiographical, but they’re not: in addition to “Neela: Bhopal, 1984,” there’s “Heitor,” a story about a Portuguese slave, and “Jagatishwaran,” about an artist living with schizophrenia in an Indian city wandering between a brothel and his fraught family home.

You can feel how precious each story is to Bhuvaneswar, and because their subject matter is so diverse, the effect is one of intense empathy. Perhaps this is what unifies White Dancing Elephants so well: an intense love and attention paid to the margins, wherever they may be.

It also helps that White Dancing Elephants goes out on such a high note. The final story, “Adristakama,” about a star-crossed lesbian couple fighting culture clash, but even more than the culture clash, fighting the fear of loving and being loved freely that I think we all hold inside, is so beautiful I could do nothing but read it again once I finished.

Lastly, if you’re tired of the way American publishing houses market the work of South Asian writers–flowery language, emphasis on spices, lots of images of tea and henna and lotuses and such–you’ll find a lot to love in Bhuvaneswar’s sly commentary about writing and publishing.

In “The Bang Bang,” a father speaks Sanskrit at an open mic and then gives up his family in exchange for literary recognition (and no small amount of tokenism); it’s a darkly funny and sharp critique of publishing as well as being a powerful story about family. Other stories also draw from this well: one’s about a writer on a retreat who’s processing her unsatisfying marriage (“Chronicle of a Marriage, Foretold”; it’s also an element in “Talinda.”

I haven’t even scratched the surface of the stories in this book, nor what they meant to me. How could I? I adored this book. It’s going on my shelf right next to Runaway by Alice Munro, another favorite short story collection marked by its empathy, its vision, its deep sadness.

Chaya Bhuvaneswar is a writer of tremendous power, skill, and gift; her work is visionary and experimental without sacrificing readability. (I tore through each story, barely pausing for breath.) White Dancing Elephants is simply dazzling. ★★★★★

Standout stories: “Jagatishwaran,” “The Bang Bang,” “Neela: Bhopal, 1984,” “Adristakama”

Content warning: White Dancing Elephants contains a graphic rape scene in the story “Orange Popsicles” (highlight to read). It is also substantially about infertility, abuse (including towards disabled people), and bigotry in ways that may be triggering. Read with caution if you have those triggers.

Books you might also enjoy:


I received a copy of White Dancing Elephants from the author in exchange for an honest review. I received no other compensation and opinions are entirely my own.

Friday Bookbag (plus a personal story), 2.8.19

FridayBookbag

Friday Bookbag is a weekly feature where I share a list of books I’ve borrowed, bought, or received during the week. It’s my chance to buzz about my excitement for books I might not get the chance to review.

But first, story time: As some of you may know, I had a pretty major surgery yesterday. (A total hysterectomy, in order to treat my endometriosis and related pain.) I’m happy to say that the surgery was a major success. I’m extremely emotional about it, because even though the post-surgery pain is not fun and I’m too weak to sit up without help right now, I actually feel better after surgery than I did before. I literally felt better as soon as I woke up. It’s incredible.

I’ve been suffering with this condition for years and had pretty much lost hope I’d ever get relief. I still have a long recovery ahead and there’s a strong possibility I will continue to deal with some endometriosis pain in addition to my everyday fibromyalgia pain, but both conditions should be much improved now. (The endometriosis was triggering fibromyalgia flares and vice versa. That should no longer be the case.) I’m praying that this hysterectomy closes the book on the worst pain and illness I’ve ever experienced in my life. My doctors are hopeful it will, so I’m hopeful, too.

Here’s to more reading, writing, and blogging in the future. And PSA: if you’re suffering debilitating menstrual pain, I implore you to take that shit seriously. It’s not normal to be vomiting with pain during periods. It’s not normal to be laid up for 2-3 (or 4-5) weeks out of every month because of your periods. It’s not normal to be too weak to eat or walk or think or take the bus by yourself because of your periods. Please take your pain seriously and fight for the care you deserve. I’m so glad I did.

/end story time. Now, back to the books! This week I’m featuring three exciting reads by Black women authors: two new ones I bought recently, plus an old favorite that’s just gone on deep sale. Happy Black History Month!


How Long ’til Black Future Month?: Stories by N.K. Jemisin

How Long Til Black Future Month Cover

Goodreads | Amazon | Barnes & Noble | IndieBound

the premise: From Goodreads:

In these stories, Jemisin sharply examines modern society, infusing magic into the mundane, and drawing deft parallels in the fantasy realms of her imagination. Dragons and hateful spirits haunt the flooded city of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow south must figure out how to save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story “The City Born Great,” a young street kid fights to give birth to an old metropolis’s soul.

why I’m excited:I’ve been dying to read N.K. Jemisin’s critically acclaimed work for years, but the timing’s never seemed to work out. I’ve also been dying to read more sci-fi short stories, especially with recent work like “Say, She Toy” by Chesya Burke and “Welcome to Your Authentic Indian Experience” by Rebecca Roanhorse knocking my socks off.

It’s like N.K. Jemisin read my mind and combined my sci-fi wishes into one awesome package in How Long ’til Black Future Month?. Every single story mentioned in that Goodreads summary sounds fascinating to me. That cover is gorgeous. And during a Black History Month that’s already been pretty miserable for Black Americans, I love the idea of immersing myself in a Black Future Month instead.

The Mothers by Brit Bennett

The Mothers Cover

Goodreads | Amazon | Barnes & Noble | IndieBound

the premise: From Goodreads:

It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother’s recent suicide, she takes up with the local pastor’s son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it’s not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.

why I’m excited: You all already know how much I love the books that bridge the gap between YA and adult fiction. The Mothers looks like it will do that, and be tremendously complex and interesting to boot. I love that it seems to take teens’ issues seriously. I’m genuinely excited to see a love triangle between a “beauty,” “pastor’s son,” and “former football star” in a critically acclaimed literary fiction novel. Yessss! I think the current array of typical literary fiction protagonists is incredibly limited, and I’m looking forward to spending some time with Bennett’s characters in contrast. Also, teen pregnancies are so often flattened into metaphors or deuses-ex-machina, but I trust The Mothers will do much better. (Its gush of positive reviews seems to suggest that, anyway.)

Also-also, that cover is gorgeous. I want it on a poster on my wall.

Bonus Round:

9780544786769

This Is Just My Face: Try Not to Stare by Gabourey Sidibe is currently on sale for $2.99 on Kindle. (If you’re a Kindle Unlimited subscriber, it’s available to read for free through that service, too.)

I reviewed This Is Just My Face last year and really loved it. Reading Sidibe’s memoir is like going to the coolest, funniest, realest sleepover of your life. She writes in a conversational, down-to-earth, self-deprecating (but also self-loving) style that’s the antithesis of what you would expect from a typical celebrity memoir. She’s lived a genuinely interesting life full of interesting stories (like her parents’ green card marriage, her summer stuck in Senegal with her brother, and her time as a phone sex operator and how it prepared her for acting).

You might know Sidibe best from the movie Precious or the shows Empire and American Horror Story: Coven, but I actually love her presence as a writer and social media personality the best. If you haven’t read it already, This Is Just My Face is definitely worth picking up during this sale.


What’s in your bookbag this week? Do you have any exciting weekend reading plans? Let me know in the comments, and feel free to link to your own book reviews and blog posts!

Friday Bookbag, 2.1.19

FridayBookbag

Friday Bookbag is a (semi-)weekly feature where I share a list of books I’ve borrowed, bought, or received during the week. It’s my chance to buzz about my excitement for books I might not get the chance to review.

This week I’m skipping over the whole pile of books I’ve bought since the last time I put up a Friday Bookbag (in October! Whew!). Instead I’m spotlighting a couple of short story collections I’ve received for review recently. Let’s dive in!


White Dancing Elephants by Chaya Bhuvaneswar

Goodreads | Amazon | Barnes & Noble | IndieBound

White Dancing Elephants Cover.jpgsource: a copy from the author

the premise: Says the back cover:

A woman grieves a miscarriage, haunted by the Buddha’s birth. An artist with schizophrenia tries to survive hatred and indifference in small-town India by turning to the beauty of sculpture and dance. A brief but intense affair between two women culminates in regret and betrayal.

It’s a collection of seventeen stories that centers on women of color, especially queer women of color, trying to survive in a violent world.

why I’m excited: I’m a lesbian, and as much as I love happy portrayals of women loving other women, I’m also a sucker for more complex stories about queer women in the world. White Dancing Elephants promises to be that kind of complex, interesting, diverse read–diverse both in the shorthand sense of not white, not straight and also diverse in the way short story collections are always diverse: an assemblage of different perspectives and approaches to a theme. Where a novel digs deep, a short story collection can go wide. I’m excited about this one.

Mothers: Stories by Chris Power

Goodreads | Amazon | Barnes & Noble | IndieBound

Mothers Cover.jpgsource: a copy from the publisher, Farrar, Straus & Giroux, won in a contest

the premise: From the inside flap (can you tell I’ve given up trying to summarize short story collections on my own? there’s just too much much in them):

Ranging from remote English moors to an ancient Swedish burial ground to a hedonistic Mexican wedding, the stories in Mothers lay bare the emotional and psychic damage of life, love, and abandonment.

It’s apparently “braided through” with overarching stories about Eva, “a daughter, wife, and mother, whose search for a self and a place of belonging tracks a devastating path through generations.”

why I’m excited: Well, everything I said about short story collections above still applies here: I just love the experiments with language and storytelling they enable. For another, I love stories about mothers and daughters. That’s not the entirety of the collection, but it’s obviously a critical portion, given the title and repeated stories about Eva. And as I’ve written about extensively before, I prefer to read stories about women. Those will always be the most interesting, precious stories to me, given how often they’re sidelined. I’m curious what Power’s approach will be to this collection, given that he’s a man writing a very feminine-coded book (the cover’s even pink!). I’m curious how he will treat his characters. It could go wrong, or it could go very right! I’m excited to find out which it is.


What’s in your bookbag this week? Do you have any exciting weekend reading plans? Let me know in the comments, and feel free to link to your own book reviews and blog posts!

Book Review: USEFUL PHRASES FOR IMMIGRANTS by May-Lee Chai

I am having another week of feeling Extremely Not Well–it turns out chronic illnesses are, well, chronic! –which means I’m not able to give May-Lee Chai’s newest short story collection, Useful Phrases for Immigrants, the full review it deserves. I thought I’d do the next-best thing for this lovely book and write a shorter review instead.

Read it below!


Useful Phrases for Immigrants Cover.jpg

Useful Phrases for Immigrants by May-Lee Chai

Goodreads | Amazon | Barnes & Noble | IndieBound

  • publisher: Blair (an independent publisher)
  • publication date: October 23, 2018
  • length: 166 pages
  • cover price: $16.95

Like that, he felt a stab of ice shoot through his body. He knew in an instant, less than a heartbeat, his luck could change.

Useful Phrases for Immigrants, page 60, “The Body”

Useful Phrases for Immigrants is a slim and unassuming short story collection with oomph in its aftertaste; quiet but powerful in the way only truly experienced and confident writers can achieve. (Author May-Lee Chai is certainly experienced: Useful Phrases is her tenth book. I’ve previously read and loved her YA novel, Dragon Chica, about a girl struggling to adjust to life as a refugee in the U.S. after fleeing the Khmer Rouge regime with her family.)

Chai’s style is both understated and vivid, especially in my favorite stories in the collection, the titular “Useful Phrases for Immigrants,” “First Carvel in Beijing,” and “Shouting Means I Love You.” I particularly enjoyed how diverse Chai’s subjects are: nearly all are Chinese and/or Chinese American, and among them are gay and bi people, Taoists and Buddhists and Catholics, Californians and New Yorkers, the poor and middle class, country kids and urban ones, small children and wizened adults. (Most of the characters are women, something I also appreciate.) Rather than hammer home one single point about one single thing, Chai layers her conflicts like ambitious, gorgeous piano chords.

Useful Phrases for Immigrants exemplifies what good literary fiction can do: it broadens your understanding of what it means to feel human, or happy, or sad, or angry, or bitter, or delighted, or victorious, or often, a little of all of those things at once. It does this without feeling cloying or heavy. It’s a cliché of writing advice, but showing really does go farther than telling, and Chai is a master of showing. She doesn’t tell you what to pay attention to in each tableau; she just creates eight beautiful tableaus that you’ll find yourself thinking about for a long time afterwards.

I absolutely loved Useful Phrases for Immigrants. Even if you’re not sure if you’ll like it, at only 166 pages, it’s easy to take a risk on. ★★★★★


My copy of Useful Phrases for Immigrants came from my local library and I was in no way compensated for this review.